FOW (JPN) – え？あぁ、そう。(E? Aa, Sou.) (English Translation) Lyrics
Emotional Arguments Based on Just Appearances
Trying to measure everything with just emotional arguments
That’s completely off the mark,
Don’t make me laugh, okay?
But sometimes, I think fun things are needed,
I want to be satisfied until I feel content,
Even I want to feel that way too.
The lies that stab my heart, disappearing from right in front of me,
This feeling that swirls around and blends together,
I can’t resist it.
Hey, if you think it’s good to go crazy,
Make me take it seriously,
I won’t let you run away,
I wonder if that’s all you’re capable of.
Feeling happy, feeling good,
In the end, that’s just self-satisfaction,
Shouldn’t we just throw those feelings away?
I can’t help but think that.
It’s fine if you go completely crazy,
What exactly are you dissatisfied with?
If you’re going to be like this, I won’t let you escape,
So, hey, get ready.
Now, it doesn’t matter what happens,
Watch it till the end with your own eyes,
I won’t stop no matter how far it goes,
But, well, still, I’m reaching my limit soon.
Ah, it’s no good anymore.
FOW (JPN) – え？あぁ、そう。(E? Aa, Sou.)
Song Details
- Title: え？あぁ、そう。 (E? Aa, Sou.)
- Artist: FOW (feat. MEIKO)
- Genre: J-Pop / Vocaloid / Electronic Rock
- Language: Japanese
- Themes: Emotional Manipulation, Cynicism, Self-Indulgence, Destruction
- Mood: Sarcastic, Intense, Chaotic
In-Depth Lyric Analysis
Introduction: Rejection of Superficial Emotions
- “建前だけの感情論で 全てを量ろうなんて”
(Trying to measure everything with superficial emotional reasoning)
The narrator begins by rejecting shallow emotional arguments, indicating that such superficiality cannot be used to understand deeper feelings or relationships. - “そんなのはお門違い、笑わせないでよね”
(That’s completely off the mark, don’t make me laugh)
This line dismisses the idea of measuring or evaluating emotions in a simple manner. It’s a sarcastic remark against conventional or accepted emotional expressions, suggesting that the narrator views them as trivial.
Verse 1: Temporary Pleasures and Cynicism
- “だけどたまには楽しいことも 必要だと思うの”
(But sometimes, I think having fun is necessary too)
Here, the narrator acknowledges the need for enjoyment but remains detached, possibly indicating that their desire for pleasure is fleeting and shallow. - “気が済むまで私も 満足したいわ”
(I want to be satisfied until I’m content)
This shows the narrator’s self-indulgence, seeking personal satisfaction without deeper emotional connection. The satisfaction is temporary and self-serving.
Verse 2: Emotional Games and Deception
- “目の前から消えていった 心を刺す嘘みたいに”
(Like a disappearing lie that stabs my heart)
The narrator references emotional deception and how lies can cut deep, but it’s presented in a cynical manner, showing that the narrator may be accustomed to being hurt or deceived. - “ぐるぐるって混ざる様な この感じがたまらない”
(This swirling, mixing sensation is irresistible)
The emotional chaos is compelling to the narrator. They seem addicted to the confusion and turmoil, perhaps because it adds an element of thrill or intensity.
Chorus: Pushing Boundaries and Testing Limits
- “ねぇ、ぶっ飛んじゃうのが良いなら 私をもっと本気にさせて”
(Hey, if you want to lose control, make me take this seriously)
This line is a challenge to the counterpart. The narrator dares the other person to push things further, suggesting that losing control could be fun or liberating, but only if it’s truly intense. - “逃げるなんて許さないわ やっぱりそんな程度なのかしら”
(I won’t allow you to run away. Is that all you’ve got?)
This suggests dominance and manipulation—the narrator doesn’t want to allow the other person to escape the situation. It’s about testing their resolve, as the narrator taunts them to push beyond their limits. - “嬉しいとか気持ち良いとか 所詮それは自己満足”
(Things like happiness or pleasure are just self-satisfaction)
Here, the narrator rejects the value of emotions like happiness or pleasure, viewing them as self-centered and insignificant. They place little value on these feelings, as they are seen as fleeting and selfish. - “そういうのって投げ捨てちゃって いいんじゃない？って思わせて”
(Wouldn’t it be better to just throw all that away?)
This reflects the narrator’s desire to discard traditional emotional values and embrace something darker or more extreme. They want to persuade the other person to abandon emotional restraint.
Verse 3: Reaching the Point of No Return
- “もうぶっ飛んじゃったら良いでしょ 一体どこに不満があるの?”
(Might as well lose control completely, right? What could you possibly be dissatisfied with?)
The narrator fully embraces the chaos, suggesting that they should give in to recklessness. The second part implies disdain for any complaints, as they have fully committed to this path. - “いっそこうなったら逃がさない だからね、ほらね、覚悟して”
(Now that it’s come to this, I won’t let you go. So, come on, prepare yourself)
This line shows the narrator’s refusal to let go—they have locked the other person into this emotional turmoil, and there’s no turning back. It’s about control, entrapment, and the inevitability of consequences.
Bridge: The Breaking Point
- “さぁ、どうなっちゃってもいいから その目で最後まで見届けて”
(Come on, no matter what happens, watch until the very end)
The narrator is daring the other person to witness the destruction—they don’t care what happens anymore, as long as it’s intense and undeniable. - “どこまでイッても止まらない だけどね、でもね、そろそろ限界”
(No matter how far we go, I won’t stop. But, you know… I think I’m reaching my limit)
The narrator has pushed everything to the edge, but they acknowledge that they are nearing their breaking point, suggesting internal conflict despite the external chaos. - “あぁもうダメ…”
(Ah, I can’t anymore…)
The final surrender—after pushing limits and trying to maintain control, the narrator reaches a breaking point, exhausted from the emotional games.
Meaning & Themes
1. Emotional Manipulation and Power Play
The song delves into emotional manipulation, where the narrator actively seeks to challenge, test, and control the emotional state of the other person. There is a power dynamic at play, with the narrator trying to assert dominance by pushing boundaries.
2. Cynicism and Rejection of Traditional Emotions
The narrator rejects common emotional values such as happiness, pleasure, or love, seeing them as empty and self-indulgent. They prefer chaos, destruction, and the intensity of emotional extremes, dismissing anything that doesn’t serve this purpose.
3. Self-Indulgence and Recklessness
The song embraces self-indulgence and recklessness—the narrator seeks satisfaction through emotional extremes and doesn’t care about consequences, even acknowledging that they are nearing their breaking point. This reflects an almost self-destructive need to feel something intense.
4. Emotional Exhaustion
By the end, the narrator exhausts themselves, realizing that their pursuit of chaos and control has a limit, and they can’t continue the cycle indefinitely. The line “あぁもうダメ…” (Ah, I can’t anymore) signals this moment of emotional collapse.
FAQs
1. What does the title “え？あぁ、そう。” (E? Aa, Sou.) mean?
It translates to “Eh? Ah, I see.” The title suggests dismissiveness and sarcasm, setting the tone for the song as one that rejects conventional emotions and questions the value of superficial interactions.
2. What is the main theme of the song?
The song explores themes of emotional manipulation, cynicism, and self-indulgence, with a focus on pushing boundaries and testing emotional limits.
3. Why does the narrator reject emotions like happiness or pleasure?
The narrator views these emotions as self-satisfaction and temporary, dismissing them as shallow compared to the intensity and chaos they crave.
4. What is meant by “ぶっ飛んじゃう” (buttōn jau)?
It means “to lose control” or “go crazy”, reflecting the narrator’s desire for extreme emotional experiences.
Conclusion
“E? Aa, Sou.” is a chaotic and cynical exploration of emotional manipulation, self-indulgence, and reckless behavior. The lyrics reflect a deep disillusionment with conventional emotions, opting instead for intensity and emotional games. As the narrator pushes both themselves and others to the brink, they reveal the destructive nature of seeking satisfaction through chaos and control.
